Thursday, October 17, 2019

Punjabi Music Bhangra Essay Example | Topics and Well Written Essays - 1500 words

Punjabi Music Bhangra - Essay Example Bhangra music is a genre that was developed in the 1980s in England. It entails both folk and classical music from various western regions as well as the Punjab region of India. Some people refer to Bhangra as a kind of dance since it was earlier used as a celebratory folk dance that meant spring or Vaisakhi was nearby (David, 2011). Concerning India’s partition, members from the different partitions started to interact and mix their varied form of Bhangra. This mixture resulted in a hybrid form of Bhangra that in cooperated many different styles. Some people also referred Bhangra as a folk dance.It is dated to begin as folk dance in 11th century by Punjabi farmers celebrating forthcoming of their seasonal harvests. The various moves used in Bhangra of this form depicted how the farmers farmed their land (David, 2011). It is then that this hybrid dance emerged to become Bhangra. Later, the folk dance was popularized in the West by Punjabi musicians. Today, Bhangra dance exists in many different forms and styles including in film sound tracks, pop music, cultural shows and collegiate competitions (Clint & Jasject, 2009). Bhangra music In late 1960s and early 1970, Bhangra music was popularized greatly in the United Kingdom by many Punjabi bands. Example of music bands existing in those times were The Jambo boys, The Black mist and the Saathies. It was their success that created a fan base and inspired more new artists. (David, 2011). These bands used to get a lot of support from both Indian Punjab and the Pakistani. This led to the creation of an alternative to Hindi film music and Ounjabi folk singers Punjabi. Some artists that are still alive today include Alaap band, Apna Sangeet, Heera Group, Chiraq Pehchan and the new pardesi music machine. After 1994, some bands dissolved due to the introduction of electronic Dj loop sampling and dhol drum (Clint & Jaskect, 2009). In the 1980s (Big Bhangra) Punjabi Immigrants invented Bhangra music in the 1980s afte r taking the folk sound from their home country and started experimenting on it by altering it by using instruments from other countries. The Bhangra music quickly gained popularity in Britain and by so, replacing the Punjabi folk singers (David, 2011). This was made possible by the music in cooperating aspects of rock sounds in their music. Since rock music was popular at that time in Britain, that incorporation really assisted it to get more fans. Bhangra music by in cooperating rock sounds signaled the development of a distinctively rebellious and self conscious Asian Youth culture .That time, young Asians in Britain associated themselves more with Bhangra music as it depicted the need to want to become free from expressing themselves (David, 2011). At that time, there was wide silent rebellion by the Asians in British and they expressed it through gestures, language, bodily signification, and many ways. Such times, there was racism and the Asian people never wanted to be discrim inated nor alienated, and so Punjabi music, gave them a sense of pride and identity in such hard times. In the 1980s, some Bhangra artists sold many record labels even some made their way to the Top 40 UK chart. These times, the melody was played out using a harmonium or a guitar and the composer received as much attention from the fans like the (David, 2011). It was during this time that the very first Bhangra boy band, Sahotas, composed of 5 brothers from the UK emerged. It was evident that their music was a mixture of Bhangra, dance and rock. The Golden Star UK was one of the biggest Bhangra stars of that era. Its lead singer, Malkit was mentored by Proffessor Inderjit Singh and improved his skills in Bhangra dancing and Punjabi folk singing while in College. In 1983, from his hit song,† Gurh Naloo ishq Mitha†, he won a gold medal and later in cooperated it in his album, Nach Gidhe Wich that was released in 1984.This album was a strong hit among South Asians (David, 2 011). Another group, Alaap, led by Channi Singh,

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